Titlebook: Disability, Public Space Performance and Spectatorship; Unconscious Performe Bree Hadley Book 2014 Palgrave Macmillan, a division of Macmil

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书目名称Disability, Public Space Performance and Spectatorship影响因子(影响力)




书目名称Disability, Public Space Performance and Spectatorship影响因子(影响力)学科排名




书目名称Disability, Public Space Performance and Spectatorship网络公开度




书目名称Disability, Public Space Performance and Spectatorship网络公开度学科排名




书目名称Disability, Public Space Performance and Spectatorship被引频次




书目名称Disability, Public Space Performance and Spectatorship被引频次学科排名




书目名称Disability, Public Space Performance and Spectatorship年度引用




书目名称Disability, Public Space Performance and Spectatorship年度引用学科排名




书目名称Disability, Public Space Performance and Spectatorship读者反馈




书目名称Disability, Public Space Performance and Spectatorship读者反馈学科排名

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阴险

Conclusion: (Dia)Logics of Difference,isability to a lesser or greater degree, whatever [it is they are] doing on stage or in public. And that’s a good thing’ (2010). In a performance situation, in particular a social performance situation, a disabled person is an unconscious-become-conscious performer with the capacity to intervene in

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直觉好

Book 2014In Disability, Public Space Performance and Spectatorship: Unconscious Performers, Bree Hadley examines the performance practices of disabled artists in the US, UK, Europe and Australasia who re-engage, re-enact and re-envisage the stereotyping they are subject to in the very public spaces and places where this stereotyping typically plays out.

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Nmda-Receptor

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Die Maxwell-Boltzmann-Verteilung the diagnostic gaze that typifies modern ways of seeing, imaging and imagining disabled bodies into practice in day-to-day life. They are designed to draw people with disabilities into negotiations of their corporeal differences, and, in the long run, render their idiosyncratic bodies more readable