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Titlebook: Directors’ Theatre; David Bradby,David Williams Textbook 1988Latest edition David Bradby and David Williams 1988 20th century.individual.p

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书目名称Directors’ Theatre
编辑David Bradby,David Williams
视频video
丛书名称Modern Dramatists
图书封面Titlebook: Directors’ Theatre;  David Bradby,David Williams Textbook 1988Latest edition David Bradby and David Williams 1988 20th century.individual.p
描述David Bradby and David Williams discuss the work of seven major post-war directors, each the representative of at least one of the integral functions ascribed to the director: the prophet, the teacher, the revolutionary agitator, even the priest. Major presentations by all the directors discussed are described in detail. The emphasis is on the differing interrelationship of working ethic and performance aesthetic; the importance of ‘process‘ in the elaboration of ‘product‘; the treatment of classic texts; the directors‘ animation of actors as central creative source; and individual responses to the ongoing reassessment of theatre‘s role and function in the second half of the 20th century.
出版日期Textbook 1988Latest edition
关键词20th century; individual; play; theatre
版次1
doihttps://doi.org/10.1007/978-1-349-19478-0
copyrightDavid Bradby and David Williams 1988
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Adjusting Costs and Consequencesowever, despite the mass of material produced around the ‘Grotowski phenomenon’, much remains misunderstood or shrouded in the obscurantist mysticism that . to characterise Grotowski’s own gnomic utterances (the fruit of a peculiarly Polish blend of Catholicism and existentialism).
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Studie A: Gesundheitsgefahren im Krankenhausber in decisions of every kind. Yet Stein’s working methods are not collaborative in the same sense as Littlewood’s or Mnouchkine’s. He has always operated on the assumption that ‘scenic writing’ (the organisation by the director of action and design on stage) is as important as ‘dramatic writing’ (the playwright’s text).
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C. Niederau,R. Lüthen,J. W. Heise,H. Beckerprinciple theoretical legacy is the concept of the .: a synthesis of disparate art forms — dance and movement, light, design, music — into a total work of art. Wilson’s major work, from . (1971) to the monumental but ill-fated . fifteen years later, may be seen as an attempt to realise a . of and for our times.
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Peter Brook,rks principally as a catalyst to his actors’ creativity. His art is also marked, however, by his own ethical concerns and has increasingly become a vehicle for spiritual search, both for himself and for the members of his international research group.
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