Titlebook: Dimensions of Monstrosity in Contemporary Narratives; Theory, Psychoanalys Andrew Hock-soon Ng Book 2004 Palgrave Macmillan, a division of

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Dimensions of Monstrosity in Contemporary NarrativesTheory, Psychoanalys

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Dimensions of Monstrosity in Contemporary Narratives978-0-230-50298-7

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Monstrous Space, space, and how this monstrous extension can take on incredible qualities which transform that time/space continuum into something both expansive and claustrophobic. Inspired by another fictional text on London, ., by Iain Sinclair, Ackroyd fictively reconstructs the life of Nicholas Dyer, an authen

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Conclusion: The Language of Monstrosity,ual extremity (for example, the hysterical text). In the first instance, the monster becomes ‘tamed’, thus temporarily recuperating language from becoming disembodied in attempting to express the inexpressible. Many traditional monster (that is, the Gothic) narratives resort to this form of textual

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Introduction: Dimensions of Monstrosity,inties and discomforts which appear to be endemic to the constantly changing social, political, and economic conditions of our technologically oriented cultures’.. Grixti is correct in asserting that monsters in horror fiction are often metaphors for ‘unpleasant social and existential realities’. th

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Monstrous Space, . (1975) will be the focus of my analyses. Both novels, in different ways, depict how space can contain certain unacknowledged ‘energies’ which manifest themselves, nevertheless, through bodies which inhabit it. In the case of ., it is unconscious history — history officially denied but survives as

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