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Titlebook: Dimensional Color; Lois Swirnoff Book 1989 Springer Science+Business Media New York 1989 color.communication.concept.design.Design Science

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Marianne Henkel,Christian Dietschesiology of the eye, are issues apart from those of visual invention. Central to this study is that the perception of color is integral with the perception of form. Therefore a brief discussion of some theories may illuminate the experiments that follow.
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https://doi.org/10.37307/b.978-3-503-23692-3anded visual field, individual hues tend to organize so that reds are visually connected to reds, blues to blues. It may be that the combining of hues according to like kind is the result of an opponent-response system in vision.
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https://doi.org/10.1007/978-3-322-86232-7by wavelength. Shifts in the angle of incidence of the sun during the course of the day significantly alter the perceived intensity of individual hues. Highly intense sunlight in Southern California was the environmental condition in which the following experiment with reflected color took place.
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Book 1989ch words as octahe­ former is multidimensional. dron, collage, tessellation, dome, each desig­ nate a wide variety of objects sharing Architecturial renderings commonly certain characteristics. When we devise show projections onto three mutually ways of transforming an octahedron, or perpendicular p
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oncept: such words as octahe­ former is multidimensional. dron, collage, tessellation, dome, each desig­ nate a wide variety of objects sharing Architecturial renderings commonly certain characteristics. When we devise show projections onto three mutually ways of transforming an octahedron, or perpendicular p978-1-4757-2073-0
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form of such than of words. Modern communication structures. techniques enable us to transmit and reconstitute images without the need of Perception is a complex process. Our knowing a specific verbal sequential senses record ; they are analogous to language such as the Morse code, or audio or video
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