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Titlebook: Digressions in European Literature; From Cervantes to Se Alexis Grohmann (Senior Lecturer in Hispanic Studi Book 2011 Palgrave Macmillan, a

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,The Twists and Turns of Life: Cervantes’s ,: 85–111), the interpolated episodes continually thwart both the reader’s narrative progression and the heroes’ actual journey. In books III and IV, which see Auristela and Periandro land in Portugal, travel through Spain and France, and finally reach Rome, there are fewer interpolated stories, but
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Digressive and Progressive Movements: Sympathy and Sexuality in ,; or, Plain Stories,tators queued up to copy him (Bosch 2007: 259; for a selection of early responses, see Howes 1974: esp. 46–8, 119–24, 127, 138–9, 160, 168–9, 180–3). Samuel Johnson and Horace Walpole dismissed his narrative experiments as gimmicks. Two recent critics challenge Johnson’s pronouncement on the oddity
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,Straight Line or Aimless Wandering? Italo Calvino’s Way to Digression, writing. Here, Calvino deliberately employed digressions to undermine and dismantle the plot — by breaking its linearity and showing its status of artifice — and at the same time to emphasize its irreplaceable function — by restoring the Aristotelian formula of the plot as ‘organization of the even
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