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Titlebook: Digitally Archiving Cultural Objects; Katsushi Ikeuchi,Daisuke Miyazaki Book 2008 Springer-Verlag US 2008 3D.3D modeling.Alignment.Ikeuchi

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https://doi.org/10.1007/978-3-658-23641-0om various viewpoints. Our method assumes that a range image acquired by a laser range finder has anisotropic error distribution which is parallel to the ray direction. Thus, we find corresponding points of range images along with the ray direction. We iteratively converge range images to minimize t
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https://doi.org/10.1007/978-3-319-57036-5s obtained through laser range scanners with their textures reconstructed from several photographic 2D images taken from various view points, it is necessary to determine the camera position and orientation relative to the 3D models for each of the images..In this chapter, a registration method is p
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Solidarity in the European Unionof the object will change accordingly, causing its appearance to be inconsistent. To arrive at color constancy, we have developed a physics-based method of estimating and removing the illumination color. In this chapter, we focus on the use of this method to deal with outdoor scenes, since very few
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https://doi.org/10.1007/978-3-322-97521-8cs-based methods require many surface colors, and become error prone when there are only a few surface colors. In contrast, dichromatic-based methods can successfully handle uniformly colored surfaces, but cannot be applied to highly textured surfaces since they require precise color segmentation. I
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Solidarität mit der Dritten Weltseparate or decompose these two components. To our knowledge, all methods that use a single input image require explicit color segmentation to deal with multicolored surfaces. Unfortunately, for complex textured images, current color segmentation algorithms are still problematic to segment correctly
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Katsushi Ikeuchi,Daisuke MiyazakiEditors are experts in the field of digital preservation.Thorough approach to digital preservation.Includes supplementary material:
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