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Titlebook: Digital Shakespeares from the Global South; Amrita Sen Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license

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发表于 2025-3-21 20:09:11 | 显示全部楼层 |阅读模式
书目名称Digital Shakespeares from the Global South
编辑Amrita Sen
视频video
概述Brings together essays that examine digital Shakespeares produced in the Global South.Provides much needed perspective on digital Shakespeares during the Covid pandemic.Addresses questions of accessib
丛书名称Global Shakespeares
图书封面Titlebook: Digital Shakespeares from the Global South;  Amrita Sen Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license
描述.Digital Shakespeares from the Global South re-directs current conversations on digital appropriations of Shakespeare away from its Anglo-American bias. The individual essays examine digital Shakespeares from South Africa, India, and Latin America, addressing questions of accessibility and the digital divide. This book will be of interest to students and academics working on Shakespeare, adaptation studies, digital humanities, and media studies..Included in this volume, the chapter on “Finding and Accessing Shakespeare Scholarship in the Global South: Digital Research and Bibliography” by Heidi Craig and Laura Estill is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.. .
出版日期Book 2022
关键词Digital Shakespeare; Global South; Adaptation; Decolonization; Appropriation; New Media; Race; Digital Huma
版次1
doihttps://doi.org/10.1007/978-3-031-04787-9
isbn_ebook978-3-031-04787-9Series ISSN 2947-8901 Series E-ISSN 2947-891X
issn_series 2947-8901
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Global Shakespeareshttp://image.papertrans.cn/d/image/279661.jpg
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Einleitung in das Recht des Besitzesnon-Anglophone countries in the Global South: articles appeared in regional journals, institutional bulletins, and society newsletters, each of which might have a publication run of only a few dozen copies. This chapter traces the move from regionalized Shakespeare publication to truly global public
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Eigentumserwerb vom Berechtigtenble the performances and textual translations from Latin America. This chapter argues that these websites open up new possibilities of community building through their curatorial strategies and social outreach. They not only act as repositories of actual performances, but also function as archives o
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https://doi.org/10.1007/978-3-662-09791-5e pedagogy in the country. In doing so, he traces a connect with the colonial pedagogy and its post-independence forms with the current online avatar, especially from post-Covid times. While addressing the more commonly advertised narrative of technological promise, this chapter also points out how,
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