Titlebook: Digital Leisure, the Internet and Popular Culture; Communities and Iden Karl Spracklen Book 2015 The Editor(s) (if applicable) and The Auth

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fallible

Digital Leisure and Communicative Leisure,sets out the parameters of gothness in some fine-detailed treaty. There is no rule book on how to be a punk, with specially trained punk police monitoring public spaces and arresting people who break the rules.

chronicle

DAUNT

Ilka Heinze,Thomas Henschel,Jens Hirtbe understood as a brand new, world-changing, (post)modern phenomenon. Furthermore, academics in cultural studies and leisure studies often fail to be as inter-disciplinary as they should be (Spracklen, 2011a). But to explore the way in which the Net has become an everyday, ubiquitous leisure space,

Talkative

BILE

Ilka Heinze,Thomas Henschel,Jens Hirts prophets of the Net. There are others whose theoretical frameworks have been used by those critically exploring the impact of the Net on human society. There are those who are excited about the possibilities of the Net, those prophets who see the technology as a herald of the dawn of a new age and

同位素

Conference proceedings 2009Latest editionture and over-played in contemporary academic literature. But even if we are sceptical about the significance of the Net, we cannot ignore its importance in contemporary leisure lives. We have to have a theory (or theories) of digital leisure to make sense of all this. In this chapter I develop this

Phonophobia

Jolanta Chmielik,Natalia Grabarsuch leisure work in contemporary society. Digital leisure, like other forms of leisure, provides both a communicatively rational way of interacting, and a space for the instrumentalization of such interactions. At the moment, I have taken to reading blogs analysing polling data ahead of the next Ge

sulcus

Clément Jonquet,Nigam Shah,Mark A. Musenus. Liberals would say that private property and rights to that property are fundamental freedoms, as well as starting points for a democratic, more equal society. Which is right? And how can we apply any ethics of private property or commons to the digital leisure space? This chapter examines the p