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Titlebook: Digital Image Compositing Fundamentals; Wallace Jackson Book 2015 Wallace Jackson, Apress 2015 GIMP.Photoshop.digital.image.compositing.op

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The Transparency of Digital Imaging: Alpha Channel, on the 32-bit . from here on out. The RGBA mode is tantamount for all of the compositing layers in an image composite other than the 24-bit color image back plate. We are also not going to focus on High Dynamic Range Imagery (HDRI) because it is data heavy and not practical for the types of usage t
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The Organization of Digital Imaging: Using Layers,he to organize your digital image compositing projects. Layers allow you to isolate masked objects as well as to apply imaging special effects to individual layers and your digital image backplate—that is, the foundational background image upon which your digital image composite is based.
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The Modality of Digital Imaging: Modal Operation,), layers, blending modes, and the like, let’s spend a chapter taking a closer look at the nature of the . of advanced digital imaging software. This modal operation is also present in other high-end multimedia production software packages, such as 3D, digital video editing and special effects, and
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The Automation of Digital Imaging: Plug-In Filters,in software. . can automate specialized imaging effects for you, by allowing you to simply set a number of options and click the OK button in the dialog! These plug-ins are generally found in the . (Photoshop) or . (GIMP) menu in your digital image compositing software package.
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The Automation of Digital Imaging: Programming,kages and to export them to the most popular file formats, it’s time to take a look at those programming platforms themselves, just in case you want to take your digital image compositing career to the next level. In this chapter, you will learn about the internal programming languages used for GIMP
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