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Titlebook: Digital Feeling; Adrienne Evans,Sarah Riley Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer

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发表于 2025-3-21 19:20:02 | 显示全部楼层 |阅读模式
书目名称Digital Feeling
编辑Adrienne Evans,Sarah Riley
视频video
概述Addresses the location of digital media cultures in discourses of gender, race, class and sexuality.Highlights the centrality of intimacy and its transformation by digital media.Contributes to discuss
图书封面Titlebook: Digital Feeling;  Adrienne Evans,Sarah Riley Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer
描述.This book offers a trailblazing account of postfeminist sensibility as a digital feeling that shapes how we understand the world around us. It explores how we feel in a world where the digital has become intertwined with our intimate relationships to ourselves and to others. The book develops a novel approach that draws on feminist theories of affect, emotion, and structures of feeling, to analyse the entanglements of the digital and the non-digital, and the public and the private, and to show how good feeling shapes a contemporary moment that often leads us back to normativity and reproduces systemic inequality. This is achieved through several different digital media spheres, including: the Instagram account Barbie Savior, #fitspo content, TikTok influencers and their Get Ready With Me videos, the archive of hot men on TubeCrush, and the intimacies of the internet cat, suggesting that each offers a snapshot of our current emotional landscapes..
出版日期Book 2023
关键词Digital culture; Postfeminism; Postdigital culture; Affect studies; Digital intimacy; Gender and digital
版次1
doihttps://doi.org/10.1007/978-3-031-23562-7
isbn_softcover978-3-031-23564-1
isbn_ebook978-3-031-23562-7
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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发表于 2025-3-21 20:19:37 | 显示全部楼层
,Gender, Race, Nation … and Barbie Savior, engage in aid efforts and humanitarianism. We locate Barbie Savior as a ‘silly archive’ that speaks to important issues, while located in a gendered postfeminist sensibility that makes Barbie Savior’s critique intelligible. To analyse Barbie Savior, we read it alongside critiques of the white savio
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Making-Up Enterprising Selves,nine, before introducing the format of Get Ready With Me (GRWM), a style of beauty and influencer video in which (mostly) young female-identified people talk through their make-up routines for different activities (e.g. a date, girls night). In this chapter, we explore how these videos fit with new
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Epilogue: Digital Feeling,ital and non-digital, public and private. We make a case for seeing all the examples we have used as ‘silly archives’, ones that deserve to be taken seriously and reveal important elements of our emotional worlds, structural inequality and intimate relationalities. We also reflect on the way emotion
发表于 2025-3-22 22:14:01 | 显示全部楼层
https://doi.org/10.1007/978-3-031-23562-7Digital culture; Postfeminism; Postdigital culture; Affect studies; Digital intimacy; Gender and digital
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