Titlebook: Digital Echoes; Spaces for Intangibl Sarah Whatley,Rosamaria K. Cisneros,Amalia Sabiesc Book 2018 The Editor(s) (if applicable) and The Aut

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Repositioning Organization Theoryew sensibilities. At the heart of this collaboration is the performance of . choreographed and directed by Adam Benjamin with the disabled and non-disabled dancers of Integrated Dance Company-Kyo and concept design and music composition by artist and architect Mathew Emmett. The work premiered in To

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Positioning Organization Theoryonic version of the Indian tabla drums, as well as a related new approach to notation and teaching for the instrument. The chapter explores complex questions of cultural heritage, tradition and adaptation in performance forms in diaspora communities. As well as outlining the collaborative process in

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Repositioning Organization Theory the key intercultural productions of East and Southeast Asia. Notions of ownership, representation and interculturality are tested when cultural productions that are translations and creative interpretations of Shakespeare’s text and Asian performance forms are hosted in a single online repository.

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Anne Hume,Rebecca Cooper,Andreas Borowskisly ephemeral notion of dance performance. Within the field of dance, discussions about conserving the legacy of choreographic works have consistently been riddled with a number of philosophical issues relating to the tangibility of live performance. This chapter interrogates this issue through a di

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