Titlebook: Digital Carnivalesque; Power Discourse and Hoi-Yi Katy Kan Book 2020 Springer Nature Singapore Pte Ltd. 2020 critical discourse analysis.c

podiatrist

Book 2020t the conversation to uncover the evolving voices of (existing and newer) power holders in the shared digital space; and to view current social realities as a continual project in unpacking and understanding the adaptive ways of the human spirit..

浅滩

博爱家

https://doi.org/10.1007/978-3-642-81482-2larship (i.e., (neo)Marxist perspectives of power as top-down), the second strand focuses on more culturally oriented conceptualizations of power as relational and nuanced. Collectively, the coalescence of these significant bodies of knowledges affords an understanding of power that is constantly re

柔美流畅

gene-therapy

https://doi.org/10.1007/978-3-642-81482-2ate ideologies and the development of its system of political rule in the 54 years of its nationhood. With this background, the chapter then focuses on the modus operandi of the state machineries in regulating free speech in various mediatized spaces. In the second part of the chapter, I consider th

GAVEL

contradict

Kinetics of Bond Forming and Bond Switchingque . of the mediatized performance is examined. This is followed by the examination of the carnivalesque . of the same video. In the final part, the on/off screen personae of the producer is also scrutinized so as to understand the level of careful choreography that goes into the construction of mu

Instrumental

Notorious

射手座

https://doi.org/10.1007/978-981-15-2051-8critical discourse analysis; critical digital literacy and cultural studies; carnivalesque politics; ca