Titlebook: Difficult Death, Dying and the Dead in Media and Culture; Sharon Coleclough,Bethan Michael-Fox,Renske Visser Book 2024 The Editor(s) (if a

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,‘There Is Nothing like a Dead Man to Demand Existence’ (Antonin Artaud),e, write in memory of their own death. This chapter explores the testimony offered by—and to—such paradoxical enunciations as ‘I have died’ in the work of Antonin Artaud, as he addresses not only his experience of electro-shock treatment but also his sense of a social bewitchment that causes the dea

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Contracture

Dissected, Torn, and Exposed: The Death and Remains of the Jack the Ripper Victims in ,eceived substantial popular, and academic, attention since the murders in the late nineteenth century. By contrast, his five victims Mary Ann Nichols, Annie Chapman, Elizabeth Stride, Catherine Eddowes, and Mary Jane Kelly, have received minimal attention (Rubenhold .). Through a discourse and visua

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Conclusion to Difficult Death, Dying, and the Dead in Media and Culture,we begin to look at the difficulties of death and dying. The chapter looks towards the ways in which we interact with death, dying and the dead through varied media—exploring the concepts of celebrity, online interactions with mortality, the differences and divides between real and fictional death,

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Prüfungstraining für Bankkaufleuteement, and while most were quick to concede that it was unlikely that a snuff movie existed, the possibility that one might have proved impossible to dispel. Narratives of this kind have imagined the aesthetic of the snuff movie as the resolutely analogue aesthetic of degraded videotape or flickerin