Titlebook: Difference, Sameness and DNA; Investigations in Cr Paul Vanouse Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive

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一窝小鸟

Quantum Computational Chemistry the return of human genetics research in the latter twentieth century. The ., 2002, (.) provides a point of personal and historical reflection and poetically demonstrates how the concept of (a) race can be assembled from a heterogeneous network of scientific studies, travel literature and illustrat

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https://doi.org/10.1007/978-981-10-6008-3in the late 1800s as a method of social control and subsequently its seeming reincarnation in the late 1900s as DNA fingerprinting. In . (.), I reverse-engineer DNA fingerprint techniques to highlight how the DNA image is produced rather than imprinted, an important distinction in claims of authorit

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Dajun Wang,Qishen Wang,Beichang (Bert) Hebecome increasingly stable as advocates (human and non-human) are mobilized and dissenters are silenced. Two of my most performative artworks, informed by Science and Technology Studies (STS) methods, demonstrate what Bruno Latour describes as “science in the making,” in the cultural history of DNA.

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Devulapali V. Rao,Lalitha D. Rao. These distinctions have been the basis of centuries of racism, slavery and eugenics, as well as sexism, classism, nationalism and xenophobia. These issues are probed through the ., the most recent DNA-focused artwork in this volume. The artwork is centered around a massive spittoon into which audi

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Life, Matter and Mapping: Ocular Revision,etaphor of DNA science–the metaphor of the (genetic) map and its associates: colonialism, abstraction and rationalized space. Drawing on DNA imaging techniques first explored in ., the . project is an oppositional strategy, rematerializing the territory of the map and (electrically) polarizing the Cartesian logic of contemporary techno-science.

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