Titlebook: Dictators, Dictatorship and the African Novel; Fictions of the Stat Robert Spencer Book 2021 The Editor(s) (if applicable) and The Author(s

瘦削

书目名称Dictators, Dictatorship and the African Novel影响因子(影响力)




书目名称Dictators, Dictatorship and the African Novel影响因子(影响力)学科排名




书目名称Dictators, Dictatorship and the African Novel网络公开度




书目名称Dictators, Dictatorship and the African Novel网络公开度学科排名




书目名称Dictators, Dictatorship and the African Novel被引频次




书目名称Dictators, Dictatorship and the African Novel被引频次学科排名




书目名称Dictators, Dictatorship and the African Novel年度引用




书目名称Dictators, Dictatorship and the African Novel年度引用学科排名




书目名称Dictators, Dictatorship and the African Novel读者反馈




书目名称Dictators, Dictatorship and the African Novel读者反馈学科排名

HERE

,Neoliberalism and the ‘Recolonisation’ of Africa,ainst the achievements and aspirations of social democracy in the first world, ‘actually existing socialism’ in the second world and decolonisation in the third world. This period saw the preservation of the authoritarian states that much of Africa inherited from the European colonial empires. The e

朝圣者

,Performance and Power I: Ngũgĩ wa Thiong’o’s , d’Ivoire, perform and reperform dictatorial power. These texts resemble classic Latin American dictator novels because of the way they perform political power by staging its operations, dramatising its precariousness and exposing it to censure and disavowal. The techniques of fiction here become a

grieve

,Performance and Power II: Ahmadou Kourouma’s ,l and theoretical frameworks emphasise processes of rupture and decentring in West African history since the end of the Cold War, Kourouma’s novel insists on the deplorable continuity of dictatorial power in postcolonial Africa. The novel’s apparent glorification of dictatorship and its seemingly fe

庄严

Innovative

Innovative

增长

Kontinuität des Arbeitsprozesses dissent. This novel, like Ngũgĩ’s, bemoans the essential continuities in postcolonial African history while using performances of dictatorial power to incite acts of democratic and even revolutionary praxis.

FLEET

https://doi.org/10.1007/978-3-663-01367-9compelling theorists of postcolonial democratisation, Frantz Fanon and Amilcar Cabral, before suggesting that their thematic and formal advocacy of critique and deliberation makes these novels into forms of political theory in their own right.

Graphite

,Neoliberalism and the ‘Recolonisation’ of Africa,ds by looking at how the struggles and opportunities that characterised the initial period of decolonisation (encapsulated by the thought figure of ‘1968’) are manifested in subsequent African fiction.