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Titlebook: Dickens in Search of Himself; Recurrent Themes and Gwen Watkins Book 1987 Gwen Watkins 1987 Charles Dickens.fiction.history of literature.l

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https://doi.org/10.1007/978-3-031-60412-6l and Mr Hyde. In his first real exploration of this theme, in The Haunted Man and the Ghost’s Bargain, Dickens uses the second self merely as teacher, like the ghosts in A Christmas Carol and the Goblin of the Bell, whose instructions bring about the existence of a happier (and therefore presumably
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Jing Ma,Dongbin Wang,Haimei Li,Zhengbing Guo God or in their duty of implicit obedience to their parents meant that they must always have been conscious of some degree of failure. This kind of guilt is not explored by Dickens, since it is too much taken for granted, but it is fully documented.
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https://doi.org/10.1007/978-1-349-08550-7Charles Dickens; fiction; history of literature; literature; nineteenth century
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Personalization in the Digital Erang in. But Spenser, with his conscious mind, knew only the least part of what he was doing, and we are never sure what we have got to the end of his significance. The water is very clear, but we cannot see to the bottom.’
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Yanlin Li,Y. P. Tsang,C. K. M. Lee,Yipu Yaosychological truth. He sees them as types, not persons, and as types that attract or repel according to whether or not they respond to his own needs. His women tell us nothing about the feminine mind and heart, as Maggie Tulliver and Lucy Snowe do, but they tell us a great deal about Dickens’ attitude to women.
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My Wound of Love,sychological truth. He sees them as types, not persons, and as types that attract or repel according to whether or not they respond to his own needs. His women tell us nothing about the feminine mind and heart, as Maggie Tulliver and Lucy Snowe do, but they tell us a great deal about Dickens’ attitude to women.
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