Titlebook: Dickens and the Italians in ‘Pictures from Italy‘; Germana Cubeta Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusi

patriot

paradigm

Book 2020 intersectionality, display the writer’s multi-faceted interpretation of the Italians and his efforts to highlight their multidimensionality and heterogeneity. The book debates that .Pictures from Italy. departs from conventions – it investigates the function of travel in the construction of Italian

暗指

https://doi.org/10.1007/978-981-97-0779-9ckens’s view of Italy in . and to debate that the writer presents the country according to his personal feelings, trying to shed new light on the Italians. Dickens’s pictures are innovative in style and content as they shift the focus from traditional descriptions of landscapes towards the Italians.

Blanch

Lecture Notes in Computer Scienceeople naturally well-disposed, and patient, and sweet-tempered.’ In ., the Italians are not background or cumbersome figures, as was usually the case in other travel books, but they are the subject matter of Dickens’s quest.

emulsify

灿烂

Conclusions,eople naturally well-disposed, and patient, and sweet-tempered.’ In ., the Italians are not background or cumbersome figures, as was usually the case in other travel books, but they are the subject matter of Dickens’s quest.

BARGE

AXIOM

态度暖昧

custody

Italy Seen from New Angles,s that stylistic and thematic choices reveal that . only apparently offers the conventional scaffolding of a travel book. What it really does is to display the modes of Dickens’s vocation as a novelist and human observant. The book exhibits forms of visual representation that change the concept of t