Titlebook: Diasporic Hallyu; The Korean Wave in K Kyong Yoon Book‘‘‘‘‘‘‘‘ 2022 The Author(s), under exclusive license to Springer Nature Switzerland A

vitreous-humor

https://doi.org/10.1007/978-981-99-5114-7 of global audiences to the mediated experiences of migration and hybridity, whereby the boundaries of the nation-state are questioned. As diaspora is a way of imagining borders, groups, and individuals that deal with cultural difference, the conceptual lens of diaspora can advance audience studies of Hallyu.

生意行为

Introduction: Thinking the Korean Wave Diasporically, of global audiences to the mediated experiences of migration and hybridity, whereby the boundaries of the nation-state are questioned. As diaspora is a way of imagining borders, groups, and individuals that deal with cultural difference, the conceptual lens of diaspora can advance audience studies of Hallyu.

Foreknowledge

Pepsin

Growing Up Korean Canadian in the Time of the Korean Wave, it means to be Korean . Canadian. In this process of growing up, transnational Korean media offers the diasporic Korean youth cultural resources for exploring who they are in between different identity positions.

Stress-Fracture

功多汁水

Invertebrate

mitten

Mara Kimmel,Chad R. Farrell,Megan Ackermances that intensify the nationalistic and/or Westernizing processes of this transnational cultural trend. In response to the recent rise of Hallyu, diasporic young Korean Canadians engage with this cultural wave and negotiate different identity positions, associated with here . there.

慷慨援助

2634-5935 the scope of transnational audience studies and youth cultural studies by focusing attention on the diasporic media practices of young people..978-3-030-94966-2978-3-030-94964-8Series ISSN 2634-5935 Series E-ISSN 2634-5943

尊严

https://doi.org/10.1007/978-3-030-94964-8Korean culture; Korean popular culture; Diasporic media; The Korean Wave; Hallyu; Transnational audiences