Titlebook: Deviance in Neo-Victorian Culture; Canon, Transgression Saverio Tomaiuolo Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 No

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Book 2018Canon, Transgression, Innovation. explores a wide variety of textual forms, from novels to TV series, from movies and graphic novels to visual art. The scholarly and educational purpose of this study. .is to stimulate readers to approach neo-Victorianism as a complex cultural phenomenon..

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Picturing Deviance in Neo-Victorian Visual Art, and gentlewomen hybridised with monsters, whereas Colin Batty, in his photomanipulations of ‘real’ nineteenth-century cabinet cards, turns Victorian anonymous individuals, couples or family groups into the protagonists of disquieting visual narrations.

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Handbook of Personal Data Protection or, rather, of its episteme (intended here according to Michel Foucault’s definition). At the centre of . and . lies mid to late nineteenth-century London, the city of dreadful delight whose fight against filth was marked by ambiguities and paradoxes.

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Introduction: Dickens in ,l. In order to introduce the main theme of this study, iconic Victorian writer Charles Dickens is imagined travelling in the twenty-first century, first visiting . and then ., a theme park created by graffiti artist Bansky that is a deliberately ‘deviant’ version of .. The chapter assumes that Dicke

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Dirt Out of Place in ,, , and ,sensorial oppositions: morality vs. immorality, respectability vs. criminality, health vs. illness, perfume vs. stink. Nevertheless, these texts call these antitheses into question by reflecting on the cultural construction of the notions of ‘dirt’ and ‘filth’ in light of the Victorian frame of mind