Titlebook: Destructive Storytelling; Disinformation and t Imke Henkel Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 Critical Discours

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Conclusion: Destructive Storytelling,n myth of naturally antagonistic relations between the UK and the EU is built on disinformation to promote its Eurosceptic ideology. The narrative structures developed in Euromyths news stories were also employed in the Brexit campaign. The conclusion argues that the mythical storytelling, which Eur

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l argues that the Brexit debate and the news reporting that preceded it for decades can be understood as a case study for how political journalism becomes democratically dysfunctional. This book will be of inte978-3-030-69505-7978-3-030-69503-3

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Book 2021rmation contributed to the Brexit vote because, as myth, it transported an ideology. Henkel argues that the Brexit debate and the news reporting that preceded it for decades can be understood as a case study for how political journalism becomes democratically dysfunctional. This book will be of inte

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News Stories as Narrations and as Myths,heory of myth will be used as a conceptional tool for the analyses of Euromyths news stories. The chapter finally briefly introduces Norman Fairclough’s version of Critical Discourse Analysis, on which the investigation of sample texts in the next chapter will be based.

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Games of Conflict and Cooperation in Asiare dubbed the era of post-truth. “Post-truth” even became Word of the Year. This book investigates how false news reporting over decades created what will be shown to be a myth in the sense of Roland Barthes’ mythology. Thus, it established the ideology which enabled disinformation to be persuasive

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Shoko Kohama,Atsushi Tago,Kazunori Inamasuion in the UK. The chapter explains the impact the Euromyths had on the British coverage of European affairs and on British politics. A corpus of 334 Euromyths news stories constitute the main data set on which the investigation of this book is based. The chapter details how the corpus was built..Wh

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https://doi.org/10.1007/978-4-431-56466-9s concepts. It finds that the news stories use two conflicting “orders of discourse” to create a “metadiscourse” that ridicules European institutions and officials. The analyses apply Roland Barthes’ mythology as a conceptional tool. Euromyths news stories, it is found, use the—false—facts they repo

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https://doi.org/10.1007/978-3-642-29326-9reaty negotiations. It also explores the editorial context of Euromyths, using the four previously analysed news stories as an example. The contextual analysis finds that Euromyths news stories constituted their own genre. The chapter then turns to the use of emotions in Euromyths and analyses six s