Titlebook: Design Computing and Cognition ‘14; John S. Gero,Sean Hanna Conference proceedings 2015 Springer International Publishing Switzerland 2015

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amenity

召集

https://doi.org/10.1007/978-1-4842-8870-2udy the kind of design activities that take place in such conversation and critique within the architectural design process. We use linkographs to characterise the design process taking place during conversation. More precisely, we study conversations between design teachers and design students. In

Glutinous

https://doi.org/10.1007/978-3-319-57138-6 knowledge about the coordination of mental models in heterogeneous groups, and even more across different disciplines, has not yield much progress in the last decades. Mental models affect design activities on content and process levels. These have consequences for the different phases in the desig

Esophagus

Helping Care-Leavers to Find Their Recordsming is based on an oversimplified view of the creativity process. Participants are seen as idea generators and the process aims at maximizing the quantity of ideas produced, and the evaluation occurs post-process based on some originality and feasibility criteria. Design theories can help enrich th

Minikin

https://doi.org/10.1057/9781137295125n a model of creative designs as being novel, surprising and valuable we develop a typology of the kinds of expectations that, when violated, produce surprise. Contrasting computational models of two of kinds of expectation are presented in the domain of mobile devices and their respective advantage

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Genistein

违反

St. Francis in the Twenty-First Centurynd research in diversity, creativity and motivation to present a process model for crowdsourcing experience design. Crowdsourcing experience design for volunteer online communities serves two purposes: to increase the motivation of participants by making them stakeholders in the success of the proje

right-atrium

Open Source Reuse and Strategic Imperativesrk in a process called remixing. Remixing can catalyze innovation by allowing designers to build on each other’s ideas. For those designing collective design systems, decisions to be made about remixing are intertwined with decisions to be made about the visibility of work in the system – that is, t