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Titlebook: Desert Islands and the Liquid Modern; Barney Samson Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to

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发表于 2025-3-21 16:28:47 | 显示全部楼层 |阅读模式
书目名称Desert Islands and the Liquid Modern
编辑Barney Samson
视频video
概述Argues that the desert island is a superlative icon of contemporary existence.Examines desert islands in radio, print and screen advertising, magazine cartoons, television comedy and drama, cinema, an
图书封面Titlebook: Desert Islands and the Liquid Modern;  Barney Samson Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to
描述.This book investigates desert islands in postwar anglophone popular culture, exploring representations in radio, print and screen advertising, magazine cartoons, cinema, video games, and comedy, drama and reality television. Drawing on Zygmunt Bauman’s theory of liquid modernity, desert island texts are analysed in terms of their intersections with repressive and seductive mechanisms of power. Chapters focus on the desert island as: a conflictingly in/coherent space that characterises identity as deferred and structured by choice; a location whose ‘remoteness’ undermines satirical critiques of communal identity formation; a site whose ambivalent relationship with ‘home’ and Otherness destabilises patriarchal ‘Western’ subjectivity; a space bound up with mobility and instantaneity; and an expression of radical individuality and underdetermined identity. The desert island in popular culture is shown to reflect, endorse and critique a profoundly consumerist society that seduces uswith promises of coherence, with the threat of repression looming if we do not conform..
出版日期Book 2020
关键词Desert Island; Postwar; Anglophone; Screen Advertising; Magazine Cartoon; Liquid Modernity
版次1
doihttps://doi.org/10.1007/978-3-030-57046-0
isbn_softcover978-3-030-57048-4
isbn_ebook978-3-030-57046-0
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Monica Violeta Achim,Robert W. McGee identity is attainable via the consumption of a Bounty, which is equated with desirable female bodies. The adverts prioritise male subjectivity, but compromise this as the male supervision of female bodies is challenged.
发表于 2025-3-22 17:19:36 | 显示全部楼层
Michel Dion,David Weisstub,Jean-Loup Richetected characters learn to conform to communal norms. The series’ ‘liquid cinematography’ and the island’s topological and temporal fluidity destabilise this solid modern paradigm, but it is ultimately reasserted.
发表于 2025-3-22 21:41:22 | 显示全部楼层
Michel Dion,David Weisstub,Jean-Loup Richetubject position, . models identity as being inescapably fluid. . offers erotic pleasure, fragmenting and objectifying the human body. The show’s format prioritises choice and radical consumerism, constructing human relationships as unreliable, insecure and anxious.
发表于 2025-3-23 04:50:09 | 显示全部楼层
(In)Coherent Desert Islands: , and Bounty Chocolate in Print,d accessible desert island. It is fragmentary: only the advertised chocolate can provide coherent identity and erotic satisfaction. The island evokes the underdetermined condition of liquid modern identity; its ontological instability suggests that even the Bounty bar cannot provide lasting satisfaction.
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