Titlebook: Demographic Processes, Occupation and Technological Change; Symposium held at th Ulrich Blum,Josef Schmid Conference proceedings 1991 Sprin

和音

都相信我的话

存心

车床

European Employment: Changes in Structure and Quality,art of the occupational spectrum. This is because the intermediate range of skills is of particular interest in the study of how demographic, social, economic and technological factors affect the structure of employment and access to the jobs within it. The mix of educat

Parabola

,“The Great Divide”; On Demographic Trends in the EEC,munity. They divide that history in what one may concisely call an “altruistic” and an “individualistic” period (van de Kaa, 1987). These two terms have the merit of being remembered fairly easily and of indicating certain features of the pre-1965 and post-1965 periods quite well, but they obviously

Custodian

European Employment: Changes in Structure and Quality,ment to more qualitative changes, especially those dealing with the skill content of jobs. It further concentrates upon the so-called ‘intermediate’ part of the occupational spectrum. This is because the intermediate range of skills is of particular interest in the study of how demographic, social,

Occupation

FISC

Technological Change in Manufacturing: Responses of Personnel Management in a Spatial Perspective,anufacturing sector is discussed in relation to regional labour markets. This relationship between technology and labour market is two-sided. First, (regional) labour supply, especially from a qualitative point of view, can be seen as a constraint on technological change. Secondly, changing technolo

ALTER

Descriptions of Actions and their Place in Historyy. On the other hand, we use it to denote the written accounts of these events, namely, the products of historical inquiry. Philosophy of history which deals with history in the former sense is sometimes called “speculative,” while philosophy of history in the latter sense is called “analytical” or

中止

Spanish Phonetics and Diction,entral and South America as well. The cultured singer of Spanish music will restrict his diction to two main dialects. When he sings songs written in Spain or by Spanish composers and poets he will employ the Castilian pronunciation. When he sings Spanish music from the Western hemisphere he will us