Titlebook: Deep-Time Images in the Age of Globalization; Rock Art in the 21st Oscar Moro Abadía,Margaret W. Conkey,Josephine McD Book‘‘‘‘‘‘‘‘ 2024 The

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The Framework for Ochre Experiences (Foes): Towards a Transdisciplinary Perspective on the Earth Matns interact with ochre relies largely on individual backgrounds and experiences, which is often reviewed at an operational level. Here, we offer an ambitious framework to describe and explore the exceptionally broad role of ochre throughout geological, biological, and cultural evolution, titled the

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Why Do Old Dates Fascinate Prehistorians?ry objective, which is the understanding of past societies. In rock art studies, research is now shaped by the search for the ‘earliest art’ and the oldest manifestation of ‘symbolic behaviour.’ Through the examination of the different dating techniques developed in the second half of the twentieth

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Understanding Rock Art: What Neuroscience Can Addnces. When these insights are supported by an understanding of such other newly discovered properties of our brains as its neural plasticity and neural mirroring, we can build up a new understanding of the mental activities behind the similarities and the differences in the way people living at diff

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“… And Those Who Expect to Return to the Source Will Find Fog”: Resonances of Prehistory in Modern A in particular, the shocking contrast between the sheer materiality of ‘prehistoric art’ (see, for instance, the freshness of a number of rock images) and the immesurable temporal lapse that separates these images from us. To be more precise, I will show how, at least in modern art, the ‘quest for t

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Chang Kyung-Sup,Linda Weiss,Ben Fine for the first time, into models of early human artistic culture in other parts of the world. In particular, we discuss the seemingly close stylistic parallels between Late Pleistocene figurative animal art in Indonesia and early representational depictions of animals in the Arnhem Land and Kimberle