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Titlebook: Deconstructions; A User‘s Guide Nicholas Royle (Professor of English) Textbook 2000Latest edition The Editor(s) (if applicable) and The Aut

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书目名称Deconstructions
副标题A User‘s Guide
编辑Nicholas Royle (Professor of English)
视频video
概述Deconstruction is now established as a major critical school and this book brings together all its leading thinkers. All the essays are brand new and have been specially commissioned for this volume
图书封面Titlebook: Deconstructions; A User‘s Guide Nicholas Royle (Professor of English) Textbook 2000Latest edition The Editor(s) (if applicable) and The Aut
描述.Deconstructions: A User‘s Guide. is a new and unusual kind of book. At once a reference work and a series of inventive essays opening up new directions for deconstruction, it is intended as an authoritative and indispensable guide. With a helpful introduction and specially commissioned essays by leading figures in the field, Deconstructions offers lucid and compelling accounts of deconstruction in relation to a wide range of topics and discourses. Subjects range from the obvious (feminism, technology, postcolonialism) to the less so (drugs, film, weaving). Backed up by an unusually detailed index, this User‘s Guide demonstrates the innumerable and altering contexts in which deconstructive thinking and practice are at work, both within and beyond the academy, both within and beyond what is called ‘the West‘..
出版日期Textbook 2000Latest edition
关键词Cultural Studies; J; Hillis Miller; Jacques Derrida; literary theory
版次1
doihttps://doi.org/10.1007/978-1-137-06095-2
copyrightThe Editor(s) (if applicable) and The Author(s) 2000
The information of publication is updating

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Deconstruction and Drugs: A Philosophical/Literary Cocktail, fuel its own consciousness, is the mark of an urge to a junkie-like descent into a silence which few people at some point in their lives wouldn’t admit to craving — if not at some point every day. But drugs and their effects are always a matter of the mix, the concoction or recipe, the purity and t
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Deconstruction and Fiction,out a space for fiction, a space in which the accusation of telling lies (which Plato, for instance, had accused poets of doing) simply does not make any sense. This distinction between two primary modes of discourse, fictional and nonfictional, has often been made since Sidney’s day, and it operate
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Deconstruction and the Postcolonial,wrote ., I knew that you had been born in Algeria, in the very year that had witnessed the celebrations of the centenary of the French invasion. (Something for Algerians to celebrate indeed.) You had once guardedly spoken of your childhood memories, your ‘nostalgeria’, far more briefly though than C
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