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Titlebook: Deconstruction - Derrida; Julian Wolfreys Textbook 1998Latest edition Macmillan Publishers Limited 1998 bibliography.construction.fashion.

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发表于 2025-3-23 13:43:28 | 显示全部楼层
Textbook 1998Latest editionory study to the work of Jacques Derrida, Julian Wolfreys introduces the reader to a range of Derrida‘s interests and concerns, while offering readings, informed by Derrida‘s thought, of canonical and less well-known literary works.
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Der Wahrheitsbegriff in Über GewißheitThere seems to be a lot at stake in this one word. Principally, however, what the three quotations share is a recognition that from a variety of places and positions, polemical, ideological, historical and cultural, there are those who actively search out a meaning and identity for ‘deconstruction’.
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n literary and cultural theory. A series of readings demonst.Deconstruction*Derrida. contests the notion that what Jacques Derrida does can be turned into a theory for literary interpretation.It also questions the idea that there is a critical methodology called deconstruction which can be applied t
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Textbook 1998Latest editionthe idea that there is a critical methodology called deconstruction which can be applied to literary texts in a programmatic fashion.In this introductory study to the work of Jacques Derrida, Julian Wolfreys introduces the reader to a range of Derrida‘s interests and concerns, while offering reading
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Introduction: ‘Deconstruction, if such a thing exists …’roubles and disturbs certain members of universities, if not the universities themselves; as something to be defined and subsequently marginalized; and as something which, always supposing its institutional existence to be a fact, has had its day and which subsequently has gone the way of the dodo.
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Another Introduction / ,: , or, Is There Some , Called Deconstruction? and, specifically, parliamentary committees, along with the philosophical concepts which underpin such structures, Charles Dickens stages a hypothetical series of minutes, in the form of question-and-answer:
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Writing (of) Identities: Facing up to Derrida or, the Example of Paul Valéryat all, in gathering together and exploring certain perceived — and supposedly perceivable — relations concerning Derrida’s writing and those of other authors and thinkers. This holds particularly true for this chapter. The question of identities, and of identities’ relationships to signature effect
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The Hauntological Example: The City as the Haunt of Writing in the Texts of Iain Sinclairresting, not least for its own spectral, self-haunted doubling. The narrator is apparently troubled by a spirit which anticipates or haunts the narrative which is to follow. The sentence is marked by an excess, a displacement within itself that troubles the stable location of any identity. There is
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