Titlebook: Decolonial Aesthetics I; Tangled Humanism in Michaela Ott,Babacar Mbaye Diop Book 2023 The Editor(s) (if applicable) and The Author(s), un

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Dependency or Interdependency in Old Ageing the different appellations of the arts in Black Africa, the controversies and misunderstandings in the debates on their semantic connotations and mutations, this article argues that the Western perspective that claims the right to define African art must be reconsidered from the sole point of view of Africa.

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Jost Reinecke,Maike Meyer,Klaus Boersack at some of the Cameroonian artist’s highly provocative performances from 1996 to 2002 in order to address issues of racism and immigration. From . to ., through ., ., . and ., we learn to understand that his artistic work, through its intercultural and interaesthetic scope, is a global, (non-in)dividual and decolonial art.

整洁漂亮

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不能强迫我

不能强迫我

Ästhetiken X.0 – Zeitgenössische Konturen ästhetischen Denkenshttp://image.papertrans.cn/d/image/264411.jpg

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African Art: Debates and Controversies Around a Concept,ing the different appellations of the arts in Black Africa, the controversies and misunderstandings in the debates on their semantic connotations and mutations, this article argues that the Western perspective that claims the right to define African art must be reconsidered from the sole point of view of Africa.

LUCY

,The Notion of Mobility in Barthélémy Toguo’s Work: Reflection on a Decolonial Artistic Practice,ack at some of the Cameroonian artist’s highly provocative performances from 1996 to 2002 in order to address issues of racism and immigration. From . to ., through ., ., . and ., we learn to understand that his artistic work, through its intercultural and interaesthetic scope, is a global, (non-in)dividual and decolonial art.

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