Titlebook: Debating the Socialist Legacy and Capitalist Globalization in China; Xueping Zhong,Ban Wang Book 2014 Xueping Zhong and Ban Wang 2014 Chin

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https://doi.org/10.1007/978-3-662-64084-5e and Art,” it successfully put Maoist aesthetics into practice. Since then, varied understandings and interpretations of . have functioned to manifest different conceptions and evaluations of the nature of Chinese “contemporary literature” as a whole, a literature that had its origin from the Yan’a

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https://doi.org/10.1007/978-3-662-64084-5n the Mongolian Steppe, Inland of Xinjiang, and Loess Plateau (Huangtu Plateau) of Gansu-Ningxia-Qinghai area; the revolutionary complex that he keeps cherishing all these years; and the cruelty of the persecution and enslavement that his own ethnic group has suffered from. These factors contribute

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Peter Plener,Niels Werber,Burkhardt Wolf. In classical tragedy, the main characters tend to only be royalty and nobles. It remained so until the bourgeoisie stepped on stage with urban comedies of the Enlightenment era. From then it was not until Zola’s naturalist novels that the working classes, por-trayed as savages, finally entered the

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Debating the Socialist Legacy and Capitalist Globalization in China978-1-137-02078-9Series ISSN 2634-5420 Series E-ISSN 2634-5439

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https://doi.org/10.1057/9781137020789China; culture; gender; globalization; identity; politics; revolution; socialism; utopia