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Titlebook: Debating Modern Masculinities; Change, Continuity, Steven Roberts (Senior Lecturer on Social Policy a Book 2014 Palgrave Macmillan, a divi

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,Degrees of Masculinity: Working and Middle-Class Undergraduate Students’ Constructions of Masculinet this masks a refashioning not the reforming of traditional male power relations. Meanwhile our study’s working-class men demonstrate elements of tension with constructions of masculinity seemingly resolved in the emergence of more positive identifications. We therefore conclude that masculinity is neither in crisis nor radically reformed.
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,‘We’re Different from Everyone Else’: Contradictory Working-Class Masculinities in Contemporary Brind victimised for their apparent non-normative performances of masculinity in their community. However, I suggest that these non-normative performances of masculinity continue to evidence many traditional discourses that contradict their own ‘alternative’ displays.
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Straight Guys Do Wear Make-Up: Contemporary Masculinities and Investment in Appearance,uline terms. While men do enact a greater range of attributes and activities than before, belying any notion of a ‘crisis’ in masculinity, we highlight the continued operation of orthodox masculinities which may work to marginalise other men and women.
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Theorising Masculinities in Contemporary Britain,he chapters of this edited volume, in order to advance theoretical and empirical understanding of British masculinities. We argue that far from being a crisis of masculinities, the gendered changes in the social lives of British men are positive and to be welcomed.
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Samuel Johnson in Historical Contextked as different because of erotic expression and gender presentation represents less a substantive erotic democracy (as presumed by IMT) than a form of civil indifference, which is no substitute for the engaged dialogue necessary for mutual understanding.
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,Oppression, Acceptance or Civil Indifference? Middle-Aged Gay Men’s Accounts of ‘Heterospaces’,ked as different because of erotic expression and gender presentation represents less a substantive erotic democracy (as presumed by IMT) than a form of civil indifference, which is no substitute for the engaged dialogue necessary for mutual understanding.
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