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Titlebook: Death of a Salesman; Bernard F. Dukore Textbook 1989Latest edition Macmillan Publishers Limited 1989 America.American dream.death.drama.in

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书目名称Death of a Salesman
编辑Bernard F. Dukore
视频video
丛书名称Text and Performance
图书封面Titlebook: Death of a Salesman;  Bernard F. Dukore Textbook 1989Latest edition Macmillan Publishers Limited 1989 America.American dream.death.drama.in
描述An examination of two of America‘s best-known plays. Part 1 revolves around the key aspects of the plays‘ relationship to America, and in Part 2 special emphasis is placed on the Broadway productions of "Death of a Salesman" in 1949 and the 1953, 1965 and 1980 productions of "The Crucible".
出版日期Textbook 1989Latest edition
关键词America; American dream; death; drama; individual; Lighting; performance; play; structure; tragedy
版次1
doihttps://doi.org/10.1007/978-1-349-08599-6
copyrightMacmillan Publishers Limited 1989
The information of publication is updating

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Jiekai Yin,Shuo Liu,Yinsheng WangGroup and whose guru was a cofounder of the Group, Lee Strasberg, a name virtually synonymous with the American variant of the Stanislavsky system, ‘method acting’. Many members of the original company of . also belonged to the Actor’s Studio.
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American Dreams, America, Americansteringly. As Walt Whitman asserted (., 1871): ‘It is native personality, and that alone, that endows a man to stand before presidents or generals, or in any distinguish’d collection, with . — and . culture, or any knowledge or intellect whatever’.
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Charactersr’s view of the right path. Although Elizabeth praises Proctor’s decision to die, she would also praise his decision to live. Hale is unconverted by Proctor’s action, as is Danforth, who has his own integrity (he wants a confession to justify his deeds but refuses to accept a lie).
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Tragedy?context’, the former making him vulnerable to attacks concerning the latter, and he calls Proctor ‘both an Aristotelian hero complete with . and a Freudian hero made incomplete by a nagging sense of guilt’ (., 15 May 1972).
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Directionyd, ., 17 Nov. 1954). ‘With playing pitched high almost from the start’, came reports of the 1972 revival, ‘it was impossible to be moved or even involved in the story’ (Douglas Watt, ., 28 April 1972).
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