Titlebook: Death in Classic and Contemporary Film; Fade to Black Daniel Sullivan,Jeff Greenberg Book 2013 Daniel Sullivan and Jeff Greenberg 2013 cine

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Death, Wealth, and Guilt: An Analysis of ard-winning performance of its lead actor, Daniel Day-Lewis. While these technical aspects of the film are indeed masterful and worthy of study, the film’s narrative—as rewritten by Anderson from the Upton Sinclair novel . (1927/1997)—is also ingenious and deserving of analysis.

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hors with backgrounds in film analysis, psychology, and philosophy to examine how the knowledge of death, the fear of our mortality, and the ways people cope with mortality are represented in cinema.978-1-349-44686-5978-1-137-27689-6

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https://doi.org/10.1007/978-981-10-0721-7 perspectives can be fruitfully applied to examining death in films, in this chapter we focus on how films illuminate the psychological consequences of the human awareness of death. To do so, we utilize a well-supported psychological theory regarding how people manage the problem of death to discuss