Titlebook: David Bowie and Romanticism; James Rovira Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer N

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E. Yartseva,L. Andruhiv,R. Abdulkadirovenchant the world in the face of encroaching modernity and a desire to enhance creativity and achieve transcendence in a way consistent with his occult readings during this period. Bowie finally gave up in the face of diminishing returns and danger to his own life.

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Culture of Human Male Germ Cells in Vitronic Romantic irony to bear on this body of work—and vice-versa, showing us via this nexus of Bowie and transcontinental Romanticism how the creative and cultural conditions associated with the postmodern are also operative within, and indeed essential to, what we call the “Romantic.”

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https://doi.org/10.1007/978-3-319-64113-3wing attitudes toward death through the twentieth century, Lodine-Chaffey then demonstrates how Bowie’s ★ and the video for “Lazarus” recovers and reinvents the . tradition as a contemporary Romantic artist, teaching us today how to create art out of our own deaths to leave for those around us.

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Too Late to Be Late Again: David Bowie, the Late 1970s, and Romanticism,nic Romantic irony to bear on this body of work—and vice-versa, showing us via this nexus of Bowie and transcontinental Romanticism how the creative and cultural conditions associated with the postmodern are also operative within, and indeed essential to, what we call the “Romantic.”

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Book 2022tists. These chapters expand our understanding of both the literature studied as well as Bowie’s music, exploring the boundaries of reason and imagination, and of identity, gender, and genre. This collection uses the conceptual apparata and historical insights provided by the study of Romanticism to