Titlebook: Data Visualization in Enlightenment Literature and Culture; Ileana Baird Book 2021 The Editor(s) (if applicable) and The Author(s), under

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In Search of Enlightenment: From Mapping Books to Cultural History-winning AHRC-funded . (FBTEE) project. The project created an “interpretational-relational database” to map and visualize the pan-European book trade of a celebrated enlightenment publisher, the Société typographique de Neuchâtel (STN). This chapter showcases how careful database design, bespoke di

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Europe and Its “Others”: Visualizing Lexical Relations Between Western and Non-Western Locations of re of word co-association, it makes visible the associations between geographical designators in the early, middle, and late century. By using semantic networks and tabular records of lexical bindings, the author explains how knowledge about “Asia,” “Africa,” “America,” and “Europe” was structured a

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Exploring Data Visualization: Time, Emotion, and Epistolarity in Frances Brooke’s mplex texts. The author applies Voyant, Palladio, and Tableau to Frances Brooke’s 1769 epistolary novel, ., and explores their potential for graphic production, their usefulness when examining the temporal aspects of the novel’s epistolary structure, and their pitfalls in both research design struct

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Outliers, Connectors, and Textual Periphery: John Dennis’s Social Network in he eighteenth century, with the other protagonists in Alexander Pope’s satire, . (1743). By using visualizations generated by GraphViz, a program that creates topological graphs from sets of dyadic relations, and ShivaGraph, a tool that helps visualize large networks and navigate through them as thr

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Publishing Music by Subscription in Eighteenth-Century Britain: The Concertos of Charles Avisonications. In Charles Avison’s case, these lists shed considerable light on patterns of music purchasing, connections the composer forged with other like-minded individuals, and the support he received from members of the middle and upper classes. One of the best known British composers of the eighte

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Afterword: Novel Knowledge, or Cleansing Dirty Data: Toward Open-Source Histories of the Novelerlying data. Starting from the premise that visualizations are only as good as their underlying evidentiary base, Freidman addresses the contributions of digital projects that have laid the foundation for such practices, including massive multi-institution projects like ., mid-sized projects like .