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Titlebook: Darkest Italy; The Nation and Stere John Dickie Book 1999 Palgrave Macmillan, a division of Nature America Inc. 1999 culture.Europe.France.

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发表于 2025-3-21 16:29:49 | 显示全部楼层 |阅读模式
书目名称Darkest Italy
副标题The Nation and Stere
编辑John Dickie
视频video
图书封面Titlebook: Darkest Italy; The Nation and Stere John Dickie Book 1999 Palgrave Macmillan, a division of Nature America Inc. 1999 culture.Europe.France.
描述Stereotypical representations of the Mezzogiorno are a persistent feature of Italian culture at all levels. John Dickie analyzes these stereotypes in the post Unification period, when the Mezzogiornio was widely seen as barbaric, violent or irrational, an "Africa" on the European continent.
出版日期Book 1999
关键词culture; Europe; France; history; identity; nation; national identity
版次1
doihttps://doi.org/10.1057/9780312299521
isbn_softcover978-1-349-42159-6
isbn_ebook978-0-312-29952-1
copyrightPalgrave Macmillan, a division of Nature America Inc. 1999
The information of publication is updating

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A Word at War: The Italian Army and ,,rigandage. This was a stereotype that owed its force in large measure to the war fought by the Italian army against southern brigandage after the annexation of the Kingdom of the Two Sicilies. This chapter aims to analyze that campaign through the stereotypes, both of brigandage and of the South, th
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The Power of the Picturesque: Representations of the South in the ,, to carve out a market across Italy for its products. In its efforts to follow, interpret, and mold the outlook of its readers, the . can give us an insight into how the South was perceived by the bourgeoisie at large in the magazine’s golden years between 1880 and 1900. As I will argue, a set of pr
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,Francesco Crispi’s ,,ary 1891, and then over two more between December 1893 and March 1896, when the disastrous defeat of Italian forces by an Ethiopian army at Adowa forced his resignation. Crispi has been described as the first literary hero of Italian politics, although his influence as a personality extended far bey
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The Power of the Picturesque: Representations of the South in the ,,turesque I will look at how the magazine constructed Southern Italy in relation to the cultural values it imputed to its readers. As elsewhere, my readings will also have theoretical as well as historical aims: in this case I will be attempting to provide a theoretical description of the imaginary d
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