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Titlebook: Dante and the Romantics; Antonella Braida Book 2004 Palgrave Macmillan, a division of Macmillan Publishers Limited 2004 epic.John Keats.Pe

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John Keats and Dante: Speaking the Gods’ Languagere is no single quotation from an ancient author that could stand out for its rarity’.. Virgil and the Latin writers, Ovid and Statius in particular, together with the medieval allegories and legends about the classical world, were Dante’s introduction to the Greek heroes and myths, as Padoan explai
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William Blake: the Romantic Illustrator of Dantend the British artistic establishment for Blake. It is hardly surprising that Blake was to become the most imaginative and at the same time the most innovative British illustrator of Dante. There are many interesting terms of comparison between the two. Both wrote under the pressure of felt injustic
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Peripheral Nerves and Nerve Sheathsirty years earlier he had welcomed The Vision as ‘a great national work’, protesting that ‘it is a disgrace to the age that Cary has no church-preferment’.. In these thirty years The Vision became a bestseller by modern standards and opened a new phase of the reception of the Divine Comedy in Britai
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Anatomy of Patellar Dislocation connoisseurs for his lack of interest in Dante. According to Tinkler–Villani, Walpole’s neglect suggests that to the enthusiasts of the Gothic, Dante’s poem was a disappointment; Anna Seward, too, a fond reader of Gothic novels, perceptively complained that ‘the poet, being his own hero, involves b
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https://doi.org/10.1007/978-2-287-99078-6ood the nature of such an adventure to be the ‘itinerarium mentis ad deum’, the journey of the mind to God. Yet, with regard to Dante’s lines, ‘mind’ does not appropriately translate ‘mens’.. In the light of its association with St Augustine’s theology, the phrase should be ‘mind and heart’, since t
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https://doi.org/10.1007/978-2-287-99078-6re is no single quotation from an ancient author that could stand out for its rarity’.. Virgil and the Latin writers, Ovid and Statius in particular, together with the medieval allegories and legends about the classical world, were Dante’s introduction to the Greek heroes and myths, as Padoan explai
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Andreas B. Imhoff,Matthias J. Feuchtnd the British artistic establishment for Blake. It is hardly surprising that Blake was to become the most imaginative and at the same time the most innovative British illustrator of Dante. There are many interesting terms of comparison between the two. Both wrote under the pressure of felt injustic
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