Titlebook: Dante and Italy in British Romanticism; Frederick Burwick,Paul Douglass Book 2011 Frederick Burwick and Paul Douglass 2011 English literat

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,Realms without a Name: Shelley and Italy’s Intenser Day,h as ., recognizes that “Our destiny, our nature, and our home, / Is with infinitude, and only there” (11. 538–539). The moment is at once sublime and full of an affecting trust in “hope that can never die” (1. 540; see Jonathan Wordsworth 187–188).

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Nineteenth-Century Major Lives and Lettershttp://image.papertrans.cn/d/image/260418.jpg

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G. Bernardini,M. Prati,E. Bonetti,G. Scarìor most people, the experience of traveling abroad, and particularly of engaging with foreign culture, resulted not so much in feelings of superiority as in confusion. Take, for example, the well-travelled William Coxe writing in a book published in 1789:

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Wolfram T. Knoefel,Rainer Schmelzleler and his entourage through France to Venice, Florence, and Rome to wander amidst the ruins of classical antiquity and behold the great treasures of the Renaissance.. The nature of the traditional tour was altered by the French Revolution, not simply because the route to Italy was shifted through

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Subtotal Esophagectomy: Transhiatal Approachus, a literary life full of encounter and exchange, Wordsworth acknowledged, among others, Chaucer, Spenser, Shakespeare, Milton, Homer, Virgil, and an array of Italian authors including Metastasio, Petrarch, Ariosto, Michael Angelo, Chiabrera, Machiavelli, and Dante. He worried about them: “We are