Titlebook: Dancing Communities; Performance, Differe Judith Hamera Book 2007 Palgrave Macmillan, a division of Macmillan Publishers Limited 2007

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,Conclusion: Dancing Communities — Ideas of Order, Queer Intimacies, Civic Infrastructure,

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Introduction: Dancing the City,cultural poesis, as communication infrastructure that makes identity, solidarity and memory sharable. Communities are danced into being in daily, routine labor, time and talk backstage and off — sometimes way off — stage, as well as onstage. They are danced into being by virtuoso technicians and ear

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Intimacies in Motion,an even more important part of the urban social fabric, many of whose pleasures lie in simply relating to others — in part as a result of the increasing emphasis on relationship as a value in itself’ (2002: 158–9). In dancing communities, politics of sociality, including friendships, are set in moti

MEAN

Corporeal Chronotopes: Making Place and Keeping Time in Ballet, communities’ relationships to space and time, and to the intersections of both. Over time, technique creates ‘vernacular landscapes’ within urban environments. Technique recreates neighborhoods as sites of productive, diverse allegiances. It transforms the sparseness of studios into home places and

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Dancing Other-Wise: Ethics, Difference and Transcendence in Hae Kyung Lee and Dancers,e. They offer interpersonal, social, and archival infrastructure. And they generate primary and secondary rhetorics of affiliation that bridge multiple dimensions of difference within the global city. Yet dancing communities, and technique itself, also organize and, in turn, are organized by the ine

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