Titlebook: Dance in the City; Helen Thomas (Senior Lecturer) Book 1997 Palgrave Macmillan, a division of Macmillan Publishers Limited 1997 dance.danc

次要

书目名称Dance in the City影响因子(影响力)




书目名称Dance in the City影响因子(影响力)学科排名




书目名称Dance in the City网络公开度




书目名称Dance in the City网络公开度学科排名




书目名称Dance in the City被引频次




书目名称Dance in the City被引频次学科排名




书目名称Dance in the City年度引用




书目名称Dance in the City年度引用学科排名




书目名称Dance in the City读者反馈




书目名称Dance in the City读者反馈学科排名

使高兴

通情达理

TOM

Atlas of Adolescent Dermatologydy of literature about technical differences between dance on land and on ice (see Best, 1974; Reid, 1970). Instead, we would like to point out new facets of these borderlines, between skating, dance and sport, to discuss some remaining untapped boundary issues. Our ultimate aim is to reach a more s

假

Ballroom Blitzs on the use of ethnographic methods for the analysis of dance contexts and practices (see, for example, Martin, 1995; Ness, 1996a, b; Novack, 1995; Thomas, 1996). However, it should be noted that this study represents the first stage of a larger project which will compare and contrast the events, a

生来

Cyborgs, Nomads and the Raving Femininerticular Utopias and political fictions. Hence, the conclusion of this chapter considers the relationship between rave, which can be read as opening up modes of being which are not structured around traditional dualisms of mind/body, self/other, physicality/machine, and the kinds of configurations b

生来

包庇

辫子带来帮助

https://doi.org/10.1007/978-3-642-49743-8competitive alternative to gang violence go? I can still recall the awe with which underground London beheld Ritchie ‘Crazy Legs’ Morales perform a head-spin so devastating that it transformed the way that we heard the Rock Steady Crew’s celebrated signature tune. Thirteen years later, no breakers h

下船