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Titlebook: Dance in Contested Land; New Intercultural Dr Rachael Swain Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 contemporary dan

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发表于 2025-3-21 17:48:06 | 显示全部楼层 |阅读模式
书目名称Dance in Contested Land
副标题New Intercultural Dr
编辑Rachael Swain
视频video
概述Demonstrates new dramaturgies born of making, performing and witnessing dance in the contested lands of First Peoples.Contextualises Indigenous-intercultural dance practice within debates on Indigenou
丛书名称New World Choreographies
图书封面Titlebook: Dance in Contested Land; New Intercultural Dr Rachael Swain Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 contemporary dan
描述.This book traces an engagement between intercultural dance company Marrugeku and unceded lands of the Yawuru, Bunuba, and Nyikina in the north west of Australia. In the face of colonial legacies and extractive capitalism, it examines how Indigenous ontologies bring ecological thought to dance through an entangled web of attachments to people, species, geologies, political histories, and land. Following choreographic interactions across the multiple subject positions of Indigenous, settler, and European artists between 2012–2016 the book closely examines projects such as Yawuru/Bardi dancer and choreographer Dalisa Pigram’s solo .Gudirr Gudirr. (2013) and the multimedia work .Cut the Sky. (2015). .Dance in Contested Land. reveals how emergent intercultural dramaturgies can mediate dance and land to revision and reorientate kinetics, emotion, and responsibilities through sites of Indigenous resurgence and experimentation..
出版日期Book 2020
关键词contemporary dance; indigenous dance; sound theory; indigenous studies; Marrugeku; contested land; dramatu
版次1
doihttps://doi.org/10.1007/978-3-030-46551-3
isbn_softcover978-3-030-46553-7
isbn_ebook978-3-030-46551-3Series ISSN 2730-9266 Series E-ISSN 2730-9274
issn_series 2730-9266
copyrightThe Editor(s) (if applicable) and The Author(s) 2020
The information of publication is updating

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发表于 2025-3-21 20:18:37 | 显示全部楼层
The Dramaturgies of Listening to Country, After introducing Marrugeku, a dance theatre company whose practice forms the primary case study for the book, the chapter gives an overview of new dramaturgies, expanded dramaturgies and Indigenous dramaturgies. Through examples from Marrugeku’s production . (2000) directed by the author and creat
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Atlas der röntgenologischen Meßmethodenxpressionism identified in the previous chapter within contemporary cultural politics of the industrialisation of Indigenous land in north-west Australia. The chapter takes the form of a close examination of . (2015), directed by the author and co-choreographed by Dalisa Pigram and Serge Aimé Coulib
发表于 2025-3-23 03:59:09 | 显示全部楼层
Rachael SwainDemonstrates new dramaturgies born of making, performing and witnessing dance in the contested lands of First Peoples.Contextualises Indigenous-intercultural dance practice within debates on Indigenou
发表于 2025-3-23 07:51:53 | 显示全部楼层
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