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Titlebook: Dance Theatre in Ireland; Revolutionary Moves Aoife McGrath Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013 d

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书目名称Dance Theatre in Ireland
副标题Revolutionary Moves
编辑Aoife McGrath
视频video
图书封面Titlebook: Dance Theatre in Ireland; Revolutionary Moves Aoife McGrath Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013 d
描述Dance theatre has become a site of transformation in the Irish performance landscape. This book conducts a socio-political and cultural reading of dance theatre practice in Ireland from Yeats‘ dance plays at the start of the 20th century to Celtic-Tiger-era works of Fabulous Beast Dance Theatre and CoisCéim Dance Theatre at the start of the 21st.
出版日期Book 2013
关键词dance; performance; theatre
版次1
doihttps://doi.org/10.1057/9781137035486
isbn_softcover978-1-349-44227-0
isbn_ebook978-1-137-03548-6
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2013
The information of publication is updating

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ing of dance theatre practice in Ireland from Yeats‘ dance plays at the start of the 20th century to Celtic-Tiger-era works of Fabulous Beast Dance Theatre and CoisCéim Dance Theatre at the start of the 21st.978-1-349-44227-0978-1-137-03548-6
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https://doi.org/10.1007/978-3-642-59863-0eing instrumental in a movement of aesthetic change in performance practices, dance theatre works have also played a pivotal role in reflecting and critiquing socio-political and cultural developments in Ireland. In 2003, Brian Singleton proposed that, ‘the most exciting new playwrights in this coun
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https://doi.org/10.1007/978-3-642-59863-0nning of the Easter Rising, a dress rehearsal performance of a dance play by Yeats, ., was held for a select, invited audience in the London drawing room of Lady Emerald Cunard.. On the surface, the aristocratic setting for this drawing room staging, which made it necessary for the performers to car
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https://doi.org/10.1007/978-3-642-59863-0choreographers within the context of both the current Irish dance landscape and international dance theatre practice. As shown in the previous chapter, although there are several examples of interdisciplinary choreographies to be found in Ireland prior to the work of companies in the 1990s and beyon
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Plastiche und wiederherstellende Chirurgie,ng of CoisCéim Dance Theatre’s . (2008), interrogating how the work stages the politics of citizenship in Ireland. Whereas Chapter Five focussed on the transformative reconfigurations of gendered planes of representation in narratives of oppression, my interest here is in the links that can be found
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