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Titlebook: Dance Practices as Research; Approaches to the Sa Vicky Kämpfe Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive l

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楼主: malcontented
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The Intangible in the Context of Performative Situations,nce. Then, the values of the intangible that are to be highlighted will be illustrated using the example of dance practices. Based on the specific aspects of the performative and the understanding of materiality that emerge in this process, the concepts of movement material and its processes of beco
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Performative Doing as a Living Archive of Cultural Practices,ntangible per se, and the understanding of dance practices, this chapter will look at related processes and mechanisms. Important aspects are especially the processes of incorporation and reproduction of body-bound knowledge as well as the processes of institutionalisation of hitherto informal pract
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Performative Methods as an Approach to Dance Practice,egitimised discourses. It is receiving more attention both in the context of research and in the field of cultural policy. This refers first and foremost to their value for generating and gaining knowledge, a task that research has ascribed to itself, as well as its relevance in terms of how society
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Conclusion: Perspectives for the Living Heritage of Dance,a living cultural heritage. As a starting point for the argumentation, it was possible to refer to the efforts evident in the current research discourse to investigate processes and situations of performative, aesthetic or generally cultural practices with adequate terms and tools. Thus, the aim of
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The Intangible in the Context of Performative Situations,ects of the performative and the understanding of materiality that emerge in this process, the concepts of movement material and its processes of becoming in situations of dance will be discussed with regard to the materiality of the intangible.
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https://doi.org/10.1007/978-3-642-02680-5ects of the performative and the understanding of materiality that emerge in this process, the concepts of movement material and its processes of becoming in situations of dance will be discussed with regard to the materiality of the intangible.
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