Titlebook: Dance Leadership; Theory Into Practice Jane M. Alexandre Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 dance practice.styl

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Book 2017ch wide-ranging issues as: Does the practice of leading require followers? How does one individual’s dance movement act on others in a group? What does ‘social engagement’ mean for artists? Is the pursuit of art and culture a human right?

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Circling Back, Moving Forward,stinction between skilled dance artist and dance leader; social engagement; the absence of followers in dance leadership; concepts of identity and place; and the processes that constitute dance-leadership practice. The result is carried forward for development of the theory.

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https://doi.org/10.1007/978-94-007-5101-9, .. Her current research focuses on marginalization and living traditions; politics of performance, gender and dance; and performance as research. She is co-chair of the Research and Documentation Network of the World Dance Alliance – Asia Pacific.

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https://doi.org/10.1007/978-94-007-5101-9standing ovations at the 1987 Asia Pacific Festival and the 1987 Canada Dance Festival. Also drawn to directing and administrating, Hirabayashi founded both Kokoro Dance company, and the Vancouver International Dance Festival with his wife, the dancer/choreographer Barbara Bourget. He continues to perform, teach, and direct both organizations.

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