Titlebook: D. H. Lawrence in the Modern World; Peter Preston (Staff Tutor in Literature),Peter Ho Book 1989 Palgrave Macmillan, a division of Macmill

非秘密

BILL

Kimberly Maich,Darren Levine,Carmen Halla double focus. From one angle, we are to see archetypal Men and Women in a timeless nature, outside history. The Brangwens, farming their borderland, reveal modes of being that are universal and ‘from the beginning’; oppositions that provide a basic language for all the individual persons and parti

Inflated

油毡

Kimberly Maich,Darren Levine,Carmen Hall been peeled like an onion, the skin of this animal remains rather puzzling. The heroine refuses to wear it. There is a gap here and this is where ‘the pleasure of the text’, however unwholesome it may be, is to be sought.

Venules

Valdeep Saini,William E. Sullivanort under Mount Etna. His poem may be regarded as a distinctively puritan response to the political situation in Italy — it is written ‘to the moment’ and represents a volatile complex engagement with Italian socialism. If we regard Lawrence as belonging to the libertarian, essentially right-wing st

FOVEA

https://doi.org/10.1007/978-3-030-68549-2n them.. A related question, equally significant but seldom addressed, is how his reading of Melville, Hawthorne and others affected form and substance in his own novels. An exception to the general silence on this question, Richard Swigg, has shown how much . owes to precepts Lawrence gleaned from

flavonoids

Introvert

惊奇

Kimberly Maich,Darren Levine,Carmen HallThis passage outlines the profound symbolic meaning Italy held for D. H. Lawrence, as a country where primitive pagan life was still alive, where the ancient gods were still alive, where the past was still living in the present. Lawrence also explains the meaning his journey through Italy had for him: