Titlebook: Cultural Policy and Cultural Industries in Africa; From Culture as a Co Last Moyo Book 2024 The Editor(s) (if applicable) and The Author(s)

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https://doi.org/10.1007/978-88-470-2454-0ifier of white superiority and black inferiority..The chapter argues that most of the post-apartheid racism is increasingly covert or hidden. Covert racism is often institutionalized, subtle, invisible, and dynamic, but still existing as a system and structure to contain Black agency. Because covert

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https://doi.org/10.1007/978-88-470-2454-0lonized and (ex) colonizers, new cartographies of spatial-cum-cultural decolonization aim to construct new postcolonial memories so that the nation-state is not perpetually trapped in the geography of colonial trauma.

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https://doi.org/10.1007/978-88-470-2454-0are Africans doing to transform digital media technologies to re-invent and redefine their cultural identities in ways that resist racist stereotypes of the (neo)colonial gaze? There is no doubt that digital media technologies have become an inextricable part of the African creative economy and cult

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modernity. It explores the decolonization praxis of cultural industries and acknowledges the complexity of cultural decolonization iniatives in a continent that is so diverse, interconnected, globalized, and f978-3-031-57744-4978-3-031-57742-0

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Introduction,re..The chapter also unpacks the theory of decolonial cultural policy studies which contends that the colonizer and the colonized cannot use a similar understanding of culture and cultural policies without the colonized running the risk of creating cultural industries and cultural systems that are i

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The Post-Bandung State and African Cultural Freedoms: Cultural Policy Initiatives from 1957 to 1994tes and liberation movements in the development of national cultural and media policies for the completion of the national decolonization project in the post colonies. The chapter brags a diverse mix of case studies drawn from North African Arab states and Sub-Saharan Africa, all demonstrating the r

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Broadcasting and Film Industries in Africa: Re-Animating African Cultural Agency,that confront old and new forms of cultural domination. In post-apartheid South Africa, for example, the apartheid legacy of institutionalized and systemic anti-Black racism remains intact to the extent that decolonizing television and film industries by bringing in black actors and democratizing br