Titlebook: Conspiracy Ideologies in Films and Series; Explanatory Approach Denis Newiak,Anastasia Schnitzer Book 2024 The Editor(s) (if applicable) an

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European Society in the Belle Epoque,ing starting from the feature film A. [USA 1976] and then derives how it was functionalized for V.. In doing so, contradictions emerge that reveal whistleblowing as an affect-oriented authentication strategy.

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Book 2024catchy explanations for the emergence and spread of conspiracy narratives. At the same time, theymake suggestions, some of them astonishingly concrete, for dealing with such collective delusions. What can we learn from the fictional worlds of series and films for dealing with this very real contempo

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e, theymake suggestions, some of them astonishingly concrete, for dealing with such collective delusions. What can we learn from the fictional worlds of series and films for dealing with this very real contempo978-3-658-43693-3978-3-658-43694-0

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Conspiracy in the Spy Film,d of fragments and stereotypes from spy films. Spy films usually merge facts and fiction—with the greatest possible freedom, because they are usually not verifiable—offer simple and coherent explanations of the complex world of intelligence and resort to conspiracy narratives. While conspiracy ideol

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,National Socialist Conspiracy Narratives: Veit Harlan’s Feature Film ,ng to cinematic methods of the horror genre (1) in connection with the Faust narrative (2) and a fusion of fiction and history (3), Veit Harlan succeeded in making the feature film . a lasting carrier of National Socialist conspiracy fabrications. The analysis of individual sequences, scenes, and im

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