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Titlebook: Cinematic Homelands; The Cultural and Gen Mara Antic Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license to

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发表于 2025-3-21 19:37:53 | 显示全部楼层 |阅读模式
书目名称Cinematic Homelands
副标题The Cultural and Gen
编辑Mara Antic
视频video
概述Foregrounds women filmmakers of the Iranian diaspora, who have been historically excluded from dominant film culture.Uses close readings of 5 key films to trace the gendered reconfiguration of 21st ce
图书封面Titlebook: Cinematic Homelands; The Cultural and Gen Mara Antic Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license to
描述.This book maps an emerging cycle of films made by Iranian diasporic women filmmakers and produced outside of Iran, focusing on five significant examples: Shirin Neshat’s .Women Without Men. (2009), Sepideh Farsi’s .Red Rose. (2014), Maryam Keshavarz’s .Circumstance .(2011), Ana Lily Amirpour’s .A Girl Walks Home Alone at Night .(2014) and Desiree Akhavan’s .Appropriate Behaviour .(2014). These films speak to the emergence of feminist concerns surrounding gender relations, female subjectivity and sexuality in diasporic filmmaking. The book intends to show how the body of recent Iranian diasporic women’s films demonstrates a substantial shift within the existing exilic and diasporic paradigm, requiring analysis of intersectional relations not only between ethnicity, culture and nationality, but also gender and sexuality. Attending closely to the vibrant feminist film culture generated by Iranian women in diaspora, this book aims to interrogate the diversity of women’s filmmaking practices and their role in shaping new representations of female subjectivity and the diasporic condition..
出版日期Book 2024
关键词women‘s cinema; Iranian diaspora; transnational film; intercultural identity; cine-activism; Iranian film
版次1
doihttps://doi.org/10.1007/978-3-031-69272-7
isbn_softcover978-3-031-69274-1
isbn_ebook978-3-031-69272-7
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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978-3-031-69274-1The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
发表于 2025-3-22 01:24:32 | 显示全部楼层
Mara AnticForegrounds women filmmakers of the Iranian diaspora, who have been historically excluded from dominant film culture.Uses close readings of 5 key films to trace the gendered reconfiguration of 21st ce
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The Future of Africa-EU Strategymaginary in Ana Lily Amirpour’s ..” Firstly, I situate . within its cross-cultural context, paying close attention to its inception, direction and production. Secondly, I provide an overview of the film’s multiple genre affiliations and its pastiche aesthetics, arguing that it displays a high degree
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Samiratou Dipama,Emel Parlar Dalween her bisexuality and strong affiliation with her Iranian family and Persian culture. On the one hand, she is expected to accommodate the heteronormative expectations of her middle-class Iranian parents to find a boyfriend and a proper, lucrative profession. On the other hand, she is confronted b
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