Titlebook: Cultural Specificity in Indonesian Film; Diversity in Unity David Hanan Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Anth

星球的光亮度

he time Indonesia achieved independence from Dutch colonialism in 1949. Hanan explores the foundational concepts of the new nation, summarized in the national philosophy of . first promulgated in 1945 in writings by Sukarno. Hanan also outlines five phases of the nation’s history since independence,

infinite

role of Chinese Indonesians as producer/directors of the majority of the films made in the colonial period, and also survey the period of the Japanese occupation (1942–45), when film production was controlled by the Japanese. Later sections explore the main phases of production since the achievement

alabaster

骨

s, it is not the individual psyche (as in films by Buñuel), nor even the individual body (as in films by Maya Deren), but multiple bodies organized as a group, that is most distinctive. This is demonstrated in Gotot Prakosa’s . (1979), Sardono W. Kusuma’s . (1993) and Garin Nugroho’s . (2000). The c

Limerick

骑师

寄生虫

雀斑

Book 2002roduktübergreifend erschlossen werden können, fand allerdings kaum Beachtung, obwohl Cross-Selling, d.h. der Verkauf zusätzlicher Produkte an bestehende Kunden, in vielen Branchen zunehmend an Bedeutung gewinnt...Heiko Schäfer untersucht das Cross-Selling von 372 Unternehmen unterschiedlicher Branch