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Titlebook: Cultural Economics And Cultural Policies; Alan Peacock,Ilde Rizzo Book 1994 Springer Science+Business Media Dordrecht 1994 cultural econom

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Partition Measures for Data Miningfore, if one comes round to the thinking that the existence of monopolistic organisations in this market could be a reasonable explanation for the rigid size of the market, the expansion of supply through time (usually supported by public sector intervention) makes clear that something else is going on, directly related to market demand.
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The Arts Industry: Problems of Measurementover emphasising the economic importance of the arts is to amplify their impact on other economic sectors, like tourism. For example, every tourist to Rome is considered as an arts fan, whereas many of them may be simply attracted by the Pope.
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A Work-Preference Model of Artist Behaviour as normal goods with a convex preference system. Increased wages bring forth increases in work time in pursuit of higher income, though beyond a certain level increased wages might be taken as increased leisure time, maintaining income constant, leading to the possibility of the familiar backward-bending supply curve of labour.
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Justice, Efficiency and Copyright in Cultural Goodsustice argument, and section III the efficiency argument. Some of the policy issues that arise from the previous analysis will be discussed in section IV, and finally a brief conclusion will be offered in section V.
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Achieving Public Policy Objectives in the Arts and Heritageany given set of policy objectives, that is to evaluate possible policies. The economist’s expertise in relation to means rather than ends is just as valid for the arts as for any other area of public policy.
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Employing ‘Second Generation’ Matricesover emphasising the economic importance of the arts is to amplify their impact on other economic sectors, like tourism. For example, every tourist to Rome is considered as an arts fan, whereas many of them may be simply attracted by the Pope.
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