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Titlebook: Cultural Economics; Ruth Towse,Abdul Khakee Conference proceedings 1992 Springer-Verlag Berlin Heidelberg 1992 Cultural policiy.Import.Int

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发表于 2025-3-21 16:03:56 | 显示全部楼层 |阅读模式
书目名称Cultural Economics
编辑Ruth Towse,Abdul Khakee
视频videohttp://file.papertrans.cn/241/240785/240785.mp4
图书封面Titlebook: Cultural Economics;  Ruth Towse,Abdul Khakee Conference proceedings 1992 Springer-Verlag Berlin Heidelberg 1992 Cultural policiy.Import.Int
描述Cultural economics as a field of research involves twoareas, culture and economy. These two areas have beentraditionally regarded as each other‘s antithesis. However,the economic aspects of culture have increasinglybecome amatter of everyday reality for persons working in thecultural field. The economy of culture has always been inthe focus of political interest. Political decisionsconcerning such priority areas as the development ofregional institutions, support to the artists andculturalprogrammes for children and youth have important economicimplications. This book deals with a range of topics incultural economics. It contains original papers byeconomists workingin the field from 15 different countriesand covers a host of boththeoretical and practical issues,covering the performing arts, arts marketsand museums. Itrepresents an up-to-date statement of the application ofeconomic ideas to cultural questions.
出版日期Conference proceedings 1992
关键词Cultural policiy; Import; Internationaler Handel; Kulturpolitik; Kulturökonomie; cultural economics; insti
版次1
doihttps://doi.org/10.1007/978-3-642-77328-0
isbn_softcover978-3-642-77330-3
isbn_ebook978-3-642-77328-0
copyrightSpringer-Verlag Berlin Heidelberg 1992
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Public Choice and Public Funding of the Artsverall issue. The proper direction of this debate should be towards examining the propriety of government funding to support the arts. In the end it must be remembered, that whatever the government finances, it also ultimately controls. Those who wish to have no fleas, should not sleep with dogs.
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Trends in Art Policy: The Dutch Casen this article we investigate if there is any correspondence between what ministers say and the actual art-expenditures of the state. We shall concentrate on changes in the pattern of art expenditures in the period 1966–1987 and have a look at the Nineties.
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Some Unanswered Questions in the Economics of Art commodity, an asset or an investment good? Is art a public good, the national patrimony? This is the question of why rational consumers appear to acquire more art when prices rise, even though it has been demonstrated that capital gains on art, in the long run, lag behind returns on alternative investments.
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Who Is the Other Woman? An Introductionrs which use the tools of economic analysis to investigate cultural matters; mainly, but not exclusively. Papers by non-economists have been included which deal with issues of interest to economists. Whatever justification is used as a basis for making it, though, any selection is personal and to some extent arbitrary.
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Matrix and Voice in A. S. Byatt’s es cautious investors. In this sector, rumours play a bigger part than anywhere else. The acts of some key people are considered as signals that give direction to the market and they are then amplified by many “relay-participants”.
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Matrix and Voice in A. S. Byatt’s international prices does exist in the Netherlands. Many people are under impression that in Holland admission prices for the performing arts are significantly lower than elsewhere. But is a visit to the theatre in Holland really so much cheaper than in its neighbouring countries?
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