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Titlebook: Cultural Constructions of Madness in Eighteenth-Century Writing; Representing the Ins Allan Ingram,Michelle Faubert Book 2005 Palgrave Macm

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发表于 2025-3-21 19:53:42 | 显示全部楼层 |阅读模式
书目名称Cultural Constructions of Madness in Eighteenth-Century Writing
副标题Representing the Ins
编辑Allan Ingram,Michelle Faubert
视频video
图书封面Titlebook: Cultural Constructions of Madness in Eighteenth-Century Writing; Representing the Ins Allan Ingram,Michelle Faubert Book 2005 Palgrave Macm
描述Cultural Constructions of Madness in the Eighteenth Century deals with the (mis)representation of insanity through a substantial range of literary forms and figures from across the eighteenth century and beyond. Chapters cover the representation, distortion, sentimentalization and elevation of insanity, and such associated issues as gender, personal identity, and performance, in some of the best, as well as some of the least, known writers of the period. A selection of visual material, including works by Hogarth, Rowlandson, and Gillray, is also discussed. While primarily adopting a literary focus, the work is informed throughout by an alertness to significant issues of medical and psychiatric history.
出版日期Book 2005
关键词gender; identity; poetry; prose; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9780230510890
isbn_softcover978-1-349-52332-0
isbn_ebook978-0-230-51089-0
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2005
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terary forms and figures from across the eighteenth century and beyond. Chapters cover the representation, distortion, sentimentalization and elevation of insanity, and such associated issues as gender, personal identity, and performance, in some of the best, as well as some of the least, known writ
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Book 2005 period. A selection of visual material, including works by Hogarth, Rowlandson, and Gillray, is also discussed. While primarily adopting a literary focus, the work is informed throughout by an alertness to significant issues of medical and psychiatric history.
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,Reconstructing the Classical Model: Pope’s Homer and Its Influence,nd of the degree of independence he was thereafter able to assert in his dealings with the publishing trade over the terms and even of the textual appearance of future publications. It marked a turning-point, in fact, in relations between writers and their society’s custom¬ary agents of transmission
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